Gave in Rest
by Sarah Davachi
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Matins
00:00
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08:29
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Streaming + DownloadIncludes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.Purchasable with gift cardDownload available in 16-bit/44.1kHz.
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1. |
Auster
08:35
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2. |
Third Hour
07:37
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3. |
Evensong
05:27
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4. |
Matins
08:29
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5. |
Gloaming
05:41
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6. |
Gilded
03:30
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7. |
Waking
03:19
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about
Released (LP) September 2018 by Ba Da Bing
Composed and mixed by Sarah Davachi
Recorded April and July 2017 at Hotel2Tango in Montréal QC, engineered by Howard Bilerman
Additional overdubs recorded at home in Los Angeles in November and December 2017
Performed by Sarah Davachi (flute, Mellotron, organs, piano, synthesizer, voice), Thierry Amar (contrabass), Terri Hron (recorder), Jessica Moss (violin), Lisa McGee (voice)
Mastered by Sean McCann
Photography by Dicky Bahto
From Ba Da Bing:
Sarah Davachi has quickly risen in prominence since her first release five years ago, and Gave In Rest represents her highest artistic achievement. By infusing her compositional style within a predilection for medieval and Renaissance music, Davachi unearths a new realm of musical reverence, creating works both contemplative and beatific, eerie yet essentially human. Gave In Rest is a modern reading of early music, reforming sacred and secular sentiments to fit her purview and provide an exciting new way to hear the sounds that exist around us.
Between January and September of 2017, Sarah Davachi lived in flux; storing her belongings in Vancouver, she spent the summer in Europe, occasionally performing in churches and lapidariums and seeking respite from her transitional state while surrounded by such storied history.
“I’ve always been a pretty solitary person, but that summer I discovered quiet moments to be increasingly valuable,” says Davachi. “I became engaged in private practices of rest and rumination, almost to the point of ritual.” Though not religious, she sought ecclesiastic environments, sitting for hours in muted spaces and listened to how church instruments augmented them – their pipe organs, their bells, their choral voices – and resolved to “tap into that way of listening.”
Davachi went deeper into studying early music over that summer, considering how Renaissance musicians experimented with new instruments... more
Composed and mixed by Sarah Davachi
Recorded April and July 2017 at Hotel2Tango in Montréal QC, engineered by Howard Bilerman
Additional overdubs recorded at home in Los Angeles in November and December 2017
Performed by Sarah Davachi (flute, Mellotron, organs, piano, synthesizer, voice), Thierry Amar (contrabass), Terri Hron (recorder), Jessica Moss (violin), Lisa McGee (voice)
Mastered by Sean McCann
Photography by Dicky Bahto
From Ba Da Bing:
Sarah Davachi has quickly risen in prominence since her first release five years ago, and Gave In Rest represents her highest artistic achievement. By infusing her compositional style within a predilection for medieval and Renaissance music, Davachi unearths a new realm of musical reverence, creating works both contemplative and beatific, eerie yet essentially human. Gave In Rest is a modern reading of early music, reforming sacred and secular sentiments to fit her purview and provide an exciting new way to hear the sounds that exist around us.
Between January and September of 2017, Sarah Davachi lived in flux; storing her belongings in Vancouver, she spent the summer in Europe, occasionally performing in churches and lapidariums and seeking respite from her transitional state while surrounded by such storied history.
“I’ve always been a pretty solitary person, but that summer I discovered quiet moments to be increasingly valuable,” says Davachi. “I became engaged in private practices of rest and rumination, almost to the point of ritual.” Though not religious, she sought ecclesiastic environments, sitting for hours in muted spaces and listened to how church instruments augmented them – their pipe organs, their bells, their choral voices – and resolved to “tap into that way of listening.”
Davachi went deeper into studying early music over that summer, considering how Renaissance musicians experimented with new instruments... more
credits
released September 14, 2018
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