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Beautiful Thing: Inside the Secret World of Bombay's Dance Bars Paperback – February 28, 2012
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Sonia Faleiro was a reporter in search of a story when she met nineteen-year-old Leela, a charismatic exotic dancer with a story to tell. Leela introduced Sonia to the underworld of Bombay’s dance bars: a world of glamorous women; of fierce love, sex, and violence; of gangsters, police, prostitutes, and pimps. When an ambitious politician cashed in on a tide of false morality and had Bombay’s dance bars wiped out, Leela’s proud independence faced its greatest test. In a city where almost everyone is certain that someone, somewhere, is worse off than them, she fights to surviveand to win.
Sonia Faleiro has crafted one of the most original works of nonfiction about India in years. Unforgettable for its artistry and intimacy, Beautiful Thing is a vivid portrait of one reporter’s journey into the dark, damaged soul of Bombay.
- Print length225 pages
- LanguageEnglish
- PublisherBlack Cat
- Publication dateFebruary 28, 2012
- Dimensions5.5 x 1 x 8.5 inches
- ISBN-109780802170927
- ISBN-13978-0802170927
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Editorial Reviews
Review
A Guardian, Observer, and Economist Best Book of the Year
A Time Out India Subcontinental Book of the Year
"[An] intimate and valuable book of literary reportage . . . [Faleiro's] language, like dots of colored light pinging from a smudgy mirrored ball, casts an intoxicating if unsettling glow. . . . Will break your heart several times over."The New York Times
"Reporting at its best."Junot Diaz (interview with The Rumpus)
"A glimpse into a frightening subculture unlike anything that a typical American has ever experienced. . . . With crackling prose, Faleiro provides an intense, disconcertingly entertaining [look] into the shadowy corners of a foreign culture; the fast-paced narrative, while undeniably journalistic, reads like a thriller. But what ultimately gives the book its resonance is Faleiro's empathy and love for her fully developed subjects. In lesser hands, these young people could have come off as clichés, but the author makes sure we care for them and root for them to survive a life that most will never understand. Gritty, gripping, and often heartbreakingan impressive piece of narrative nonfiction."Kirkus Reviews (starred)
"Through the kaleidoscope of deftly captured voices, Faleiro recreates the harsh world beyond the bar lights' glow."Publishers Weekly
"Brilliant . . . It's most outstanding quality to my eye is the window it offers on the widespread sexual repression that exists in India today, and the murky middle-class morality that rules it."The Guardian
"Faleiro delivers Leela's story with a reporter's distance and a novelist's immediacy. She animates journalistic observations with vivid descriptions, and her dialogue sings with slang and dialect. Leela moves through the pages as a remarkable, tragic, and . . . grittily inspiring figurevictim, heroine, survivor."Shelf Awareness
"A tour de force of heartrending reportage . . . which blends rigorous journalistic research with the narrative skills of a novelist. Faleiro depicts effects as well as excavating causes, painting a vivid portrait of the dailyand nightlylife of a dancer. . . . With tight focus and pacing, she is adept at conjuring the brutal backstory of these lives."The Independent
"Excellent . . . A meticulous, moving account of the battle for social mobility and personal freedom in Bombay . . . A rich portrait of the desires, vulnerabilities, and sheer resilience of Leela and her colleagues."The Sunday Telegraph (UK)
"In a fast-paced, conversational, high-octance circumstantial style, the contradictions of Leela's hedonistic, heartbreaking life as a badass Lolita crossed with a naively knowing Sweet Charity are thoroughly and empathetically explored. Her rich character is sparked to vivid life in a highly colored work of brilliant literary reportage."The Times (UK)
[Faleiro] seamlessly weaves politics, history, sociology, urban activism, and healthcare into her portrait of Leela’s life as an erotic dancer, infusing her rhythmic sentences with Leela’s and her coterie’s sharp-witted and colorful patter. . . . Faleiro masterfully portrays the complexity of these women's lives.”Bookslut
"It is useless to describe the pathos and singular power of this book. Beautiful Thing is, quite, simply, one of the finest books on Bombay ever written."The Spectator (UK)
"Faleiro demonstrates that when written with empathy, the story of one person's life can effectively tell the story of thousands."The Scotsman Book Supplement
"Does what every good piece of reportage ought totook me to a place I couldn't have gone by myself."Hari Kunzru, The Guardian (Best Books of 2011)
A rare glimpse into dismissed lives. Faleiro brings a novelist’s eye for detail and a depth of empathy to her work. A magnificent book of reportage that is also endowed with all the terror and beauty of art.”Kiran Desai, author of The Inheritance of Loss
"A gripping and intimate portrayal of the lives of the women who work in [India's sex industry]. She manages to evoke shock, rage, and laughter. . . . The book is a moving testament to girls who deal with the brutal hand fate has dealt them by capitalizing on the gifts they do have: beauty, an inner strength, and each other."Literary Review (UK)
A small masterpiece of observation . . . Sassy, sensitive, and deeply moving . . . Beautiful Thing opens up a hidden world with startling insight and intimacy, and strangely is both a tragic monument to the abused bar girls of Bombay and a celebration of their amazing resilience and spirit.”William Dalrymple, author of Nine Lives
Astonishing, gripping, immersive.”Time Out (India)
"A revealing and important book."Sunday Times (Best Travel Book of the Year)
Without question a brilliant, unforgettable book by a writer who is one of the best of her generation . . . One of the most intimate and gripping books written about Bombay in a very long while.”Business Standard
Unforgettable . . . Faleiro has transformed a door, studded with rusted nails of truth, heavy with the strange and disturbing secrets it hides, into a jeweled curtain, and she has drawn that curtain aside with an artist’s hand.”Gregory David Roberts, author of Shantaram
Faleiro writes her way into the bloodstream with this mesmeric book, fashioned with heart and enviable acuity. A shocking, funny and memorable ride.”Nikita Lalwani, author of Gifted
"Faleiro [has] striking empathy, sensitivity, and [a] sharp ear."The Independent on Sunday
"Faleiro's portrait of a teenaged Mumbai dancer, Leela, and her bright but brittle world is so compelling that it invites from us the question of exactly what might constitute genius in nonfiction."The National
Compelling . . . Faleiro has captured a world many refuse to acknowledge and shown it in a delicate, nonjudgmental and touching way.”GQ (India)
Detailed, disturbing, admirable. A big achievement.The Indian Express
"In India, despite the staggering number of fabulous stories that are waiting to be told, we have been mostly deprived of good literary nonfiction - a genre which Edward Hume describes as one that combines 'the immediacy of journalism and the power of true accounts with the texture, read, drama, emotional punch, point of view and broad themes of a novel.' This is what Faleiro has achieved in her riveting story-telling, as she draws out the relationship between nineteen-year-old Leela and the dance bar, Night Lovers, with its golden pillars and Medusa heads."Times of India
"As a first person narrator who makes her presence felt only occasionally, Faleiro presents what is revealed to her without judgement or heavy-handed emotion. She has collected a wonderful set of characters to act as our guides in Beautiful Thing. Aside from Leela, there’s Aunty, who runs a brothel in Aksa Beach; Masti, a rare example of a hijra accepted by her family; Shetty, the owner of a dance bar; Priya, Leela’s friend; Apsara, Leela’s mother; and a Dubai-based fixer who claims to be Abu Salem’s right hand man. Well-paced, sharply-observed and full of respectful curiosity, Beautiful Thing is difficult to put down."Mumbai Boss
"To ignore Beautiful Thing would be an act of supreme ego."The Hindu
"Irrefutably heartbreaking."The Asian Age
About the Author
Visit her website at soniafaleiro.com
Product details
- ASIN : 0802170927
- Publisher : Black Cat; Reprint edition (February 28, 2012)
- Language : English
- Paperback : 225 pages
- ISBN-10 : 9780802170927
- ISBN-13 : 978-0802170927
- Item Weight : 10.1 ounces
- Dimensions : 5.5 x 1 x 8.5 inches
- Best Sellers Rank: #1,461,391 in Books (See Top 100 in Books)
- #223 in Historical India & South Asia Biographies
- #1,185 in India History
- #4,326 in Women in History
- Customer Reviews:
About the author

Sonia Faleiro is the author of The Good Girls: An Ordinary Killing (2021), now available from Grove Atlantic, Bloomsbury UK, Penguin Random House India and Penguin Random House Canada. The New York Times said, "The Good Girls is transfixing." A second review in the paper called it "gorgeous." The Wall Street Journal called The Good Girls a "riveting, sometimes astonishing work of forensic journalism." And The Financial Times described it as "a gripping real life mystery."
Sonia is also the author of Beautiful Thing: Inside the Secret World of Bombay's Dance Bars, which was named a book of the year by the Guardian, Observer, Sunday Times, Economist, NPR and Time Out, and a novella, The Girl.
Her writing has received support from the Pulitzer Centre and The Investigative Fund, and appears in The New York Times, The Financial Times, Harper's, Granta, 1843, The California Sunday Magazine, and MIT Technology Review.
Sonia is the founder of the literary mentorship program South Asia Speaks, and the co-founder of Deca, a global cooperative of award-winning journalists.
She lives in London and is represented by The Wylie Agency.
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This book starts off with a bang, the character of Leela is so riveting that the reader cannot help but read about her life because it is so compelling. She is such a strong, forthright, honest, woman that the reader cannot help but hope for the best for her, even under her daunting circumstances. Faleiro has no problem with the tone of the seedy underbelly of India right, the slang, the tough attitude, the pervasive violence, all seem spot on. But after a few chapters, the author undermines Leela, her strongest character, by introducing new characters. Priya threatens to overshadow Leela and take over the book, then there are the pages devoted to the hijras, far too much. The conflict between Shetty and Leela ends abruptly, and he is never heard from again. Leela's absence from the book, which could have resulted in a conclusion that is poignant, heartwrenchng and true to life, ends up being a missed opportunity. The story continues to plod along, and whimpers to an end. I understand it's non-fiction, but the author ends the story at the wrong point, we never learn if there are consequences for all of Leela's decisions, instead we are left hanging. What we have is, a very compelling character portrait, with a very flat ending. There was no lesson to be learned from this story, because the author didn't finish telling the story. The ending is abrupt, just like several other points in the book where the writer/ reporter could have given the reader more information. This was a great book at times, but the author seemed to have lost interest in Leela at different stages in the book and left readers with an incomplete picture of her most compelling character.
Beautiful thing A beautiful girl, with an ugly story.
For more book and movie reviews, read my blog reviewswithatude@wordpress.com
Why just three stars? I certainly don't regret reading Beautiful think, but I felt the writing could have been sharper. Firstly, it is difficult to follow at times and includes a slang and references that don't mean much for foreigners; secondly the character description (emotional, and thought processes) could have been stronger even though it is not fiction. Finally, I have read some of the other books in the Economist's selection for 2011, and for me they have simply been more interesting and/or higher quality than Beautiful Thing.
Top reviews from other countries



While targeted at a privileged readership, this book is not a moral treatise or a pedantic talking-to to its reader, and it is most certainly not a cheap invitation to gawk at the lives of others. I think it aims to be a space to put forward the story of these brave, beautiful young women-- because that is what they seek- a listener. And once you have listened to these girls, the question arises, out of your sheer admiration and empathy for their savage spirit of survival - is there anything you can possibly do for them but to change the way you look at them, the way you think about them and what you hope for them?
Falerio's dancing girls are inarticulate, unrefined and uneducated, yet I saw them as TRULY feminist. While they own their femininity, flaunt their sexuality and sell it with impunity, Falerio is able to contextualize this as the only kind of feminism available to these women- the kind that refuses to be patronized, the kind that navigates a grotesquely patriarchal and apathetic society without fear and with hope for something better. They are not simply feminist because patriarchy isn't working for them --.they seek to author their lives themselves. Yet, it is also the kind of feminism yearns to be loved, to be saved, to be safe and to be materially successful. This is useful and important to understand, if any of us are going to be proactive about the state of women in India, or anywhere for that matter.
This book is also about urban poverty and about derelict youth that looks to glamour and money as the only benchmarks for a successful life, which is to be gained at all costs. This book is about the toxicity of the 'Indian dream', which is essentially a lifestyle dream - one that most people in India have absolutely no access to, confounded by the fact that they don't come from the right family, don't know the right people, didn't go to the right schools, didn't pay off the right person, don't have the right skin color, etc. This book is about the fact that many bright, beautiful young things are set up, right from birth, to be screwed- literally and figuratively.
This book tells a tragic story,but in the midst of the tragedy, it documents a thriving will to rise above it all, a will that is alive even among the most wretched, one that is dangerous and self destructive, but it is a real resource and the most precious one we have in our country today.

